Vita-Gnome Co.
ashleydarling:

Metal as fuck

ashleydarling:

Metal as fuck

nintendochu:

hybridblood:

SO WHEN I WAS DRIVING HOME I SAW LIKE, RED LIGHTS IN THE SKY THAT WEREN’T MOVING (I STOPPED AND LOOKED FROM SOMEPLACE SAFE) AND I COULD SORT OF GUESS THAT BY PERSPECTIVE THAT THEY WERE SUPER FAR AWAY, LIKE, FARTHER THAN A PLANE THAT PASSED IN FRONT OF THEM
BUT WHAT THE FUCK IS IT
THEY WEREN’T MOVING
WHAT THE FUCK DID I JUST WITNESS

nintendochu:

hybridblood:

SO WHEN I WAS DRIVING HOME I SAW LIKE, RED LIGHTS IN THE SKY THAT WEREN’T MOVING (I STOPPED AND LOOKED FROM SOMEPLACE SAFE) AND I COULD SORT OF GUESS THAT BY PERSPECTIVE THAT THEY WERE SUPER FAR AWAY, LIKE, FARTHER THAN A PLANE THAT PASSED IN FRONT OF THEM

BUT WHAT THE FUCK IS IT

THEY WEREN’T MOVING

WHAT THE FUCK DID I JUST WITNESS

 I wish mama all the happiness,

-Gipsy

mrbutts:

ohstephyy:

my boyfriend made me leave because i haven’t stopped watching this video.

this is the most important video of my life

nylooms:

tupacabra:

image

it’s a metaphor

The best part is that the crab is the symbol for the zodiac sign Cancer, so in a way even the crab itself is a metaphor

rabbit-just-ate-your-laptop:

youcanstayinmyheart:

passion:

is that sudowoodo

I LAUGHED SO HARD I MADE MYSELF CRY

the ol razzle dazzle

rabbit-just-ate-your-laptop:

youcanstayinmyheart:

passion:

is that sudowoodo

I LAUGHED SO HARD I MADE MYSELF CRY

the ol razzle dazzle

foxdear:

pumpkinradish:

foxdear:

How to spot a nerd: See if they’re wearing this, then take their lunch money

I think you meant, then see if they want to have an in-depth conversation about it. Because taking their lunch money makes you a bully.
And being a bully makes you an asshole.

foxdear:

pumpkinradish:

foxdear:

How to spot a nerd: See if they’re wearing this, then take their lunch money

I think you meant, then see if they want to have an in-depth conversation about it. Because taking their lunch money makes you a bully.

And being a bully makes you an asshole.

image

hattedmistress:

therothwoman:

ohhhvienna:

purrityring:

ALL I DID WAS PAUSE NETFLIX SO I COULD GO GET OREOS IM HAVING A NEAR DEATH EXPERIENCE

I AM ON MY WAY

I CAN GO THE DISTANCE

I DON’T CARE HOW FAR

hattedmistress:

therothwoman:

ohhhvienna:

purrityring:

ALL I DID WAS PAUSE NETFLIX SO I COULD GO GET OREOS IM HAVING A NEAR DEATH EXPERIENCE

I AM ON MY WAY

I CAN GO THE DISTANCE

I DON’T CARE HOW FAR

leseanthomas:

SAYO YAMAMOTO (山本 沙代 Yamamoto Sayo; born April 13, 1977/ age 36) is a Japanese anime director. She is known for directing the critically acclaimed anime series Michiko to Hatchin and Lupin III: The Woman Called Fujiko Mine. After graduating from the College of Art and Design in Tokyo, she began work at Studio Madhouse at age 25.

During her time at the College of Art and Design, Yamamoto focused her attention on animation, as she felt less interested in the other things she was being taught. Her student project was an animation about samurai using actor, and frequent Akira Kurosawa collaborator, Toshiro Mifune as an inspiration. While in the process of looking for a job after graduation, she showed this work to director Satoshi Kon (R.I.P).

Enthusiastic about her potential, Kon intended to hire her to work on his second feature Millennium Actress, but studio politics eventually caused her to leave the project.

She had her debut at Studio Madhouse working on the X television series headed by Madhouse director Yoshiaki Kawajiri. Soon after, she would have her first collaboration with directors Takeshi Koike and Katsuhito Ishii on the original video animation Trava: Fist Planet. It was during her time at Madhouse that she began her work on anime opening and ending animations, which she would go on to direct for many other projects.

Yamamoto has stated that it was during her work on Samurai Champloo where she felt she was first able to truly express herself. Samurai Champloo also marks the first time she worked with frequent collaborators, director Shinichirō Watanabe (Cowboy Bebop) and writer Dai Satō (Cowboy bebop, eureka Seven, Ghost In The Shell: Stand Alone Complex).

During her time working on Samurai Champloo at Studio Manglobe, she was offered the chance to direct a project with full creative control. At the time, she was busy with work on Champloo, so she thought about what kind of project she wanted to direct for about a year. During that time, she took a trip to Brazil where she found the inspiration for her first series Michiko to Hatchin. The series, about an ex-convict and a young girl in search of the girl’s father, was released in 2008.

At the press conference where Yamamoto unveiled the series, she said she wanted women especially to watch the series.

"Our time slot was late at night, so office ladies would be returning home, and worn out from the day, they could have a beer and watch it."

After a few years of working on storyboards and art for other projects, including movies Redline and Evangelion: 2.0 You Can (Not) Advance, she was approached by a producer to create a new Lupin III series, with full creative control. It was Yamamoto’s own idea to have the series take place before the start of the 1971 Lupin series, directed by Masaaki Ōsumi, and to have character Fujiko Mine in the starring role.

—————————————————————

Her most recent works was director of episode 2 of the wildly popular Space Dandy : “The Search For The Phantom Space Ramen, Baby”

marraphy:

bemusedlybespectacled:

oreides:

lescheveuxoranges:

My boyfriend has some free time, so he does animated fanarts…
Just like that
Yep…
Here’s his blog

no but like
go to his blog, he’s incredible

ANIMATED FANART

I thought this was a gif from the movie like he captured disney’s animation style perfectly

marraphy:

bemusedlybespectacled:

oreides:

lescheveuxoranges:

My boyfriend has some free time, so he does animated fanarts…

Just like that

Yep…

Here’s his blog

no but like

go to his blog, he’s incredible

ANIMATED FANART

I thought this was a gif from the movie like he captured disney’s animation style perfectly